Victorian Whitby Jet Jewellery appears as British Society is participating in a national obsession with mourning. With the death in 1830 of George IV, the Lord Chamberlains office dictates the dress code for the period. He states unequivocally that “the ornament shall be jet” and in 1830 the term “jet” meant only one material…..Whitby Jet. The death of the Duke of Wellington in 1852 prompted the production of Whitby Jet jewellery into overdrive. The 50 recorded workshops in 1850 then swelled to 204 following the death of Prince Albert in 1861 as yet another wave of mourning sweeps the nation.
This seventy year period changes our cultural relationship with jet. A contemporary account tells us “…mourning caused the jet boom, and mourning killed it….”
This period does however give us some of the finest examples of stone engraving the world has ever seen. Victorian Whitby Jet jewellery in the form of carvings, often depicting symbolic images associated with love, life and remembrance , were expertly recreated in Whitby Jet. Strings of beads, some smooth, some facetted or intricately carved, were must have accessories. One could even have an opening locket where a picture or a lock of a departed loved ones hair could be kept .
View examples of Victorian Whitby Jet Jewellery.https://eborjetworks.co.uk/home/whitby-jet-shop/antique-whitby-jet-jewellery-victorian-mourning/
A full suite of mourning jewellery might also include bracelets and earrings. These again ,made with facetted panels or elaborately carved designs on them. All these pieces, whilst looking incredibly heavy in appearance, had the benefit of actually being deceptively light in weight and so much easier to wear than would at first appear.
The skills of the ‘jet-age’ were lost with the death in 1963 of Joe Lythe, the last man trained by a Victorian apprenticed jet worker.